orotone failure

Remember those orotones I was going to make?

They didn't go so well.

In fact, it would be fair to say that, in terms of going anywhere, they were the Fiat* of orotones.

I went into the darkroom, I heated the Liquid Light until it stopped being Jell-o Light. There were only minor sparks when I unplugged the ancient hotpot from the equally ancient electrical outlet. Things were looking good. I coated the gelatined glass. I waited for it to dry. 

I waited. 

I waited. 

I coated paper. It dried. I made Liquid Light prints of tennis players. Here is one of Rafa Nadal. 

The glass was not dry. It was not even close to dry. And I was determined to do contact prints on the glass, which meant that, you know, there had to be contact between the glass and the negative. So it had to be completely dry. 

I was there for four hours. At the end of that time, it was beginning to be tacky instead of oozy. I weighed my options. Leave it there overnight? Someone would come in and turn the lights on and then I would have $10 worth of useless, sticky glass. 

Instead, I rigged up a sort of suspension system that would hold the negative over the glass. 

Result? 

Still, I went ahead and put the gold on one of them. I shouldn't have. It made it worse. 

Here's the end result, with the two original photos for comparison, both 4x5, shot with paper negatives. 

...Next time, Gadget.

---

* What do you call a Fiat on a hilltop?
A miracle.

Two Fiats on a hilltop?
Science fiction.

Three Fiats on a hilltop?
A funny place to build a Fiat factory.

[Cartalk]

how to make orotones (i hope)

A few weeks ago, two friends and I went to the Photo Antiquities Museum. If you live in, or near, or plan to visit Pittsburgh, you should absolutely go. I thought it would be sort of meh to be honest, but somehow they have packed SHEER AMAZINGNESS into a space barely bigger than my apartment. 

Three things in particular left me feeling as if I'd been smacked in the face with a fish, but in a good way. 

1. The bakery across the street, which has the best cookies I have ever had and would be good for luring non-photographers to accompany you to the museum.

2. The glass plate stereograms, which give such a 3D effect that you'd swear you could walk right into them. More so than 3D movies. More so than anything except real life. 

3. The orotones. I went from knowing absolutely zippo about orotones to wanting to make them in about five minutes. And, once I'd thought about it, it didn't seem like it would be that hard. 

From the wikipedia entry:

An orotone photograph is created by printing a positive on a glass plate precoated with a silver gelatin emulsion. Following exposure and development, the emulsion is coated with banana oil impregnated with gold colored pigment, to yield a gold-toned image.

Which is all true, but doesn't really capture the result, which is a glittering depth that is almost-but-not-really 3D and makes you feel like you're looking into something rather than merely at it. The man giving the tour compared it to the depth you get with a glittery paint on a car, which is accurate, if less poetic than I'd like.

rafa nadal and liquid light

I went to the Miami Open this year, and was lucky enough to see Rafa Nadal practicing. There was a lot of skulking and stalking that led up to this happy event, and a lot of standing around in the hot hot sun with a chain link fence imprinting itself into my pelvis as 20,000 avid Rafa fans tried to get closer to him by slowly crushing me to death. Totally worth it.

I did not manage to get an autograph as he left without signing when Roger Federer showed up, but that was fine, because ROGER FEDERER. I did, however, get some photos.

Today I printed Rafa for the first time, and with Liquid Light for the first time. Here is the result, lying on a drying screen. Not bad.

what not to do with liquid light

Liquid Light is like Jell-o. Light-sensitive Jell-o. Jell-o that you paint on paper or pottery or china or masks or eggs or probably even skin (don't; I'm pretty sure it's not good for you) and use to make photos.

You could also put it on eggs.

Or rocks.

Or wood.

Pretty much anything really. Not your cat. Even if your cat is patient enough to let you try. (If your cat is patient enough to let you try, you should probably look into getting your cat on TV because your cat is a very special animal.)

So you get this black bottle in the mail from Amazon or Freestyle or Adorama. To get it out of the bottle, you need to heat it up, because Jell-o is not pourable.

Do: sit your bottle of Liquid Light in a hot water bath to transform it from wobbly-but-solid to gloopy-but-liquid.

DO NOT: unless you're heating your Liquid Light in a darkroom with a safelight, do not open the bottle of light-sensitive material to see how that's going.

Just saying.

(No, I didn't, actually. But it was thisclose.)